There's this shop. I don't really need anything from this shop, in fact I don't even particularly like what there is to buy in this shop, but I find myself popping in on the flimsiest of pretexts. Why? It's been puzzling me. The other day the penny dropped. It is the woman who works there. So sweet and warm. And funny. So funny. Around her, you cannot help but feel glad to be alive.
I've spent my life brooding. Given how much capacity the world holds for pain, a constant state of low-level fretfulness has always seemed to me the only sane response. As though by worrying about every terrible thing that could happen I might somehow pre-empt any terrible thing from ever happening. But her sunniness makes me question this. Could I ever be as light of heart?
After hearing the remarkable Norwegian writer Karl Ove Knausgaard speak recently I have been reading more of his work. Knausgaard's ex-wife suffered from a most monstrous depression. In his book Spring he details her mood when she was pregnant with their youngest child. How as the depression descended she renounced first movement and then speech, until bed was the only place she could be, although even there, she found no respite. "What merely a few weeks ago had seemed beautiful to her, was no longer beautiful, it was nothing. What merely a few weeks ago had felt good to her, was no longer good, it was nothing. This was so because the beautiful and the good gain meaning through connection, through exchange, through what stands between ourselves and the world … It is through resonance that we connect to the world, and that is what happened to your mother, the world no longer resonated within her."
Reading about the utter desolation of his ex-wife's spirit, about how night can fall so abruptly upon a mind, has given me perspective on my own tendency to downheartedness. Knausgaard occupies himself hugely with the commonplace; whole essays on the wonder of apples or gumboots or teeth. By writing so attentively and extensively about a trip to the bank, he gives meaning to mundanity. I've always believed if only I could just get on top of things, could silence the inner noise, all the mental notes and the guilt and the analysis, the bloody analysis of everything, then I'd be contented. But, writes, Knausgaard: "Life clatters within the living, with all their mentalities and psychologies, and when they die and the clatter within them subsides, it continues in their children, and one comes to understand that the clatter was the main thing, the clatter was the point, the clatter was life."
I should like to ask the woman who works in that shop whether this is the secret to her good cheer, that it is not a matter of being immune to the woes of existence, or, as I have sometimes cruelly suspected of the perennially jolly, a paucity of depth, but, rather, that she gets it. She gets that life resides in the squeaks and the snarls. And that true gladness lies in accepting this.