Danielle Wright delves into the zine sub-culture, where she discovers underground publications about everything from neighbourhood cats to the joys of the photocopier.
Before you write off zines as non-commercial, consider this: Charlotte Bronte's zine, a miniature manuscript, written when she was 14, sold at auction last year for $1.5 million. It's also regarded as important in shedding light on Bronte's literary development.
Here in New Zealand, the zine scene is thriving with everything from zines made by children to one about John "Keywi" Key, which has Key trying his luck as a hip-hop MC and attempting to close the wage gap between New Zealand and Australia with a very long piece of rope.
"It's good to read a zine for a more authentic reading experience, although there's quite a large scale and range - some are slickly edited while others have the DIY approach," says Tessa Stubbing, who tells me about the "zine police" who want to keep it small and special.
Stubbing is the organiser of Auckland ZineFest, begun four years ago to showcase these inexpensively produced, self-published, underground publications.