The people are all dead and buildings flattened, but the flora and fauna have somehow endured, and the waterways are miraculously uncontaminated: "around them the land seems to be offering up a bounty. Passionfruit hang ripe and dripping from trees, watercress is knotted in the streams, vines and fruit trees that were once cultivated spring back to life ..."
There are some attempts at psychological realism but mostly The Stranding feels like a romantic desert-island fantasy: "[Ruth] cannot help but admire [Nik's] form – he seems almost Grecian as he labours in the sun."
It was a bold move to create a major character indigenous to a country you've never lived in, and Sawyer wisely spends most of the pukapuka writing from Ruth's perspective rather than trying to fully imagine Nik. Sawyer's English conception of our country as an exotic South Sea island getaway also shows up in many of the small details of this novel.
The Stranding is for readers who want to think of New Zealand as a fantasy back-up version of a better England, not for those of us who actually live here.
Reviewed by Elizabeth Heritage