Malaga is much more than a description of a physical journey, taken by the Pacific people over the centuries to Aotearoa. It is also a deeply moving spiritual voyage.
This choral and dance extravaganza pays homage to the ancient ways, bids sad farewells to the islands,then acknowledges the struggle in an often unsympathetic urban environment.
Finally, positive new beginnings are reflected in upbeat, gloriously extrovert music.
As one teenage rapper shouted in the finale, Mana Pasifika, on Friday night, backed by 400 exuberant young voices: "I'm rapping about the spirit of my culture, taking us back to the foundation of Polynesia. Celebrate. Take it back, straight to the islands, articulate, rehabilitate ... "
This aspect of going full circle, but with the added component of empowerment, was only one reason why Malaga was so emotionally insightful.
Created by Igelese Ete and Jakki Leota-Ete, the work fuses a broad cross-section of musical styles - classical, pop, gospel, choral and traditional.
The dances, ranging from the traditional Cook Island Imene Tuki to Mama, a contemporary portrayal of oppression, were equally contrasting.
Although the lighting and sound might not have been as clear and balanced as it could have been, all the performances flowed effortlessly, displaying some amazing talent on the way.
Bass soloist Jonathan Togiatu revealed a strikingly rich voice, and sopranos Rosita Vai and Marietta Fepulea'i showed true vocal ability.
Violinist Sam Konise and nose flutist Leonaitasi Hoponoa gave a touching duet contrasting Pacific and Western cultures.
But in the large cast each individual benefited.
Malaga was the culmination of an intensive seven-week academic and performing arts programme held for more than 400 young Pacific people at the University of Auckland.
It was their evening, and everyone celebrated with them.
