Louis Vuitton artistic director, Marc Jacobs, shares the goss on his newest collaboration with Yayoi Kusama.
You visited Yayoi Kusama in her studio in Tokyo in 2006. Can you tell us more about your meeting?
It took place while we were filming a documentary with Loic Prigent about my life and work at Louis Vuitton. It was an incredible meeting, charming and special. I went to Yayoi Kusama's studio and she sat with me for quite some time. We talked a great deal about life and work and our passion for making things. She was extremely generous with her time, so that whenever I stood up to leave, I ended up sitting back down again. She took great pleasure in showing me a Louis Vuitton Speedy bag she had hand-painted herself. She was just a charming person - everything I'd imagined her to be from her work.
Yayoi Kusama is a big fan of yours, and has a photo of you both together on the wall of her studio. Are you a fan of hers? What do you like about her work?
I am a big fan of her work, and recently saw her show in New York. When I look at her career and her different vehicles for expressing herself - from her early performances staged at MOMA, to her sculptures, paintings, canvases, nets and her endless polka dots - I find a sort of simplicity, naivety and passion. The fact that she never veers from her vision is really admirable. As with any great artist, she creates her world, she shares it with us, and we respond to it. Yayoi Kusama has often claimed to have an obsession with infinity. You see it in every painstaking canvas and installation she creates, and you also see a world that never ends. That is what I admire, love and respond to in her and in her work.
How did the collaboration between Louis Vuitton and Yayoi Kusama come about?
I was approached by Yves Carcelle, who told me Louis Vuitton would be sponsoring a brilliant show by Yayoi Kusama, which would tour several countries, and that they would very much like me to do a collaboration with her. Of course, as I love her work and as I did have a personal connection with her in Tokyo, I was very excited by the idea.
In the past, the collaborations I have undertaken have been very spontaneous decisions, and the artists I have chosen to work with have all meant something to me personally, creating a world I relate to, and work I love and appreciate. This is also true of Yayoi Kusama, so I readily embraced the idea. My team and her team met here in Paris, and together we created a whole array of accessories, bags, shoes and textiles, which we then presented to her. With almost no exception, she responded very favourably.