I can see it plainly now. Stephen King has been playing me. The old Stephen King, the real one. I'd forgotten about him. That was his plan all along.
I was never a big King reader, back in the day: the day being the 80s, when his star was first really rising. It was a red star, garish, with a long comet's tail made up of lurid book covers. When it shone on you, everything seemed to be covered with blood.
But he seemed to mellow. His last half dozen novels have their horrors - between them they feature multiple serial killers, a gang of child-molesting psychic vampires, alien torturers, and a glimpse of the end of the world - but they are not in any real sense horror novels. If I had to pick one adjective to describe them collectively, I would be scratching my head over whether to go with "readable", "exciting", or "sweet".
Sweet? Seriously? Yes: the man who wrote Carrie, Pet Semetary and The Shining has become a charming avucular chap who beckons you in close and tells you the world has decent people in it. In books like 11.22.63, Joyland and Doctor Sleep, that essential underlying kindness matters far more than the dark narrative complexities woven over and through it.
These books lulled me into a dangerous trusting mood, for which I have now paid. Reading Revival was like sitting down comfortably next to dear old Uncle King and seeing his smile widen and split open into shark jaws. The Pet Semetary King is back.