To Be a Man
by Nicole Krauss
(Bloomsbury, $33)
Reviewed by Siobhan Harvey
Examinations of gender, its social constructs, political constraints and personal mutability are a la mode in literature presently. In part a study of emergent gender fluidity, last year's International Booker Prize winner, The Discomfort of Evening by Marieke Lucas Rijneveld,
is a case in point.
In this then, American author Nicole Krauss' fifth book, To Be a Man, is perfectly on point. After four novels, including the marvellous A History of Love (2005), the author's new work is a collection of 10 stories with a common theme: the appealing and appalling impacts men and masculinity have upon various women's lives.
The tales in To Be a Man have acquired an impressive list of publications in Esquire, Best American Short Stories series, the New Yorker and the likes. It's not hard to see why. Immediately dragging the reader into their complexities, they come with captivating opening lines like, "Heels dug into the tar paper, twenty-three floors above 110th Street, cradling his newborn grandson – how did he wind up here?" (Zusya on the Roof).
Thereafter the undoubted verve and acuity of Krauss' prose holds sway, holding readers' attention as plots, subtle as they are profound, unfold. Take a standout like End Days, for instance. Here, drawn back to the hometown they fled years before, sisters Noa and Rachel confront surroundings razed to the ground by an inferno, their parents, Leonard and Monica's seemingly amicable Jewish divorce, glitzy nuptials tested by bridal nerves and the ghosts of failed relationships they recently abandoned.