A Net for Small Fishes
by Lucy Jago
(Bloomsbury, $33)
Mistress Anne Turner, the wife of a doctor at the Court of King James, is hurried through a great London apartment. Reaching her destination, scores of candles reveal a half-naked young girl on her knees, howling. She is clutching a rope
of pearls while a lapdog at her feet whimpers.
This is young Frances Howard, the Countess of Essex, and her back is a mass of whip-marks recently inflicted by her husband.
The "bodice-ripper" was once a popular style of historic novel. Mid-20th century mega-sellers, like Kathleen Winsor's Forever Amber and the French husband/wife team, Sergeanne Golon's Angelique, were breasty, breathy, titillating and sometimes over-wrought examples. Originating in the far earlier Gothic novels of the 1790s, their heroines were frequently the victims of unjust circumstance, threatened, sometimes ravished, and usually triumphant.
Lucy Jago's A Net for Small Fishes is the style updated for the new millennium, thickened with a smidgen of Booker-winner Hilary Mantel's realism, but no less emotionally passionate than its popular precursors. And just like Mantel's Wolf Hall and its successors, Jago's novel is firmly based on real events.