No matter where he lives, Michael Smither will always be Taranaki's champion due to his emotional depictions of its landscape.
Throughout a career as one of this country's most pivotal painters, Michael Smither has followed a personal vision and produced work that reflects his own particular way of looking at life. He is a sharp observer of people and places, the mucky bits and small details included.
His well-known early works from the late 1960s gave us super-realist and highly coloured kitchen sink confidentials of domestic life. Smither took family relationships, frugal living and the joys and trials of parenting small children and granted humble, everyday actions and objects centre stage. In some ways Michael Smither's work is an echo of New Zealand's growth as a nation - we see young families, regional exploration, instantly recognisable and often empty landscapes alongside abandoned goldfields, environmental scaring and burgeoning green issues.
Conservation and environmental concerns have always been close to the artist's heart. Some of Smither's most well-known and significant images explore ecology and the natural world set against a backdrop of his beloved Taranaki or the wide open spaces of Otago.
An ongoing series some 40 years in the making featuring sharply outlined rocks and rock pools is an intricately observed meditation of Taranaki's Stony River and characteristically rocky coastline. Smither's interest in rocks and clear pools of water, he tells, comes from his passion for diving and seeing firsthand the impact of humans on the environment.