As celebrations of the 400th anniversary of Shakespeare's death highlight the global reach of the Bard's vision, it is wonderfully appropriate that a distinctly Maori take on Othello should be touring Auckland marae as part of the Matariki festival.
Voluminous scholarship has been devoted to tracing the sources of Shakespeare's plays and the show opens with a tongue-in-cheek suggestion that an obscure 16th century Italian explorer might have given Wiremu Shakespeare access to Maori oral traditions.
The outlandish theory - which rests on uncanny phonetic similarity between the names of Shakespearean characters and various Maori identities - is not entirely convincing, but SolOthello's creator Regan Taylor emphatically demonstrates that the anarchic spirit of the Bard is alive and kicking in Aotearoa.
The show deploys beautiful wooden masks and lightning-quick character changes that lend enormous vitality and humour to the tragic love story.