“That’s one of the things that I really like about our artists and our artists have really picked it up - there’s no one way to be Māori, there’s no one way to be Pasifika or indigenous as well. So I think there are tastes for everyone in the festival.”
Kia Mau was founded on indigenous story sovereignty - in Māori and Pasifika worlds this meant telling a story in your own terms, without outside influence, Kouka said.
“The basis of our festival is sovereign, that it’s built by Māori and Pasifika from the ground up, our tikanga is an integral part of everything... I just came from a mihi whakatau from one of the theatres and they’re very used to us in regards to that, so that’s sovereignty in its own right as well.”
Kouka said that for Kia Mau the artists had a sense of freedom that they would not have in a mainstream festival.
There were indigenous creatives visiting Wellington from as far away as Hawaii, Taiwan and Canada. He said the city was buzzing ahead of the festival.
“Wellington is a city built for art festivals, and to see so many brown artists or artists of colour who are coming and they don’t even have work they just want to be here.”
This year there would be a big focus on visual art and on music, Kouka said.
The festival’s biggest production will be Avaiki Nui Social - A Night of Cook Islands String Bands.