By Michael Cugley of Whakaata Maori
NZ Opera is reinvigorating a 261-year-old Greek myth opera to feature Māori and Pacific Island influences in a co-production with dance group Black Grace.
The (m)Orpheus production uses the original music by German composer Christoph Gluck (for Orpheus and Eurydice) but reimagined by New Zealand composer Gareth Farr. The notes are identical to the original score but different instruments (some that didn’t even exist in Gluck’s day) are used, changing the entire atmosphere of the production.
Blending rich Pasifika storytelling with the themes of Greek tragedy, (m)Orpheus tells a story of a man willing to risk everything for love but unable to find love in himself. Set in a dislocated future, where Pacific ceremony and traditions are still honoured, Orpheus struggles to come to terms with the loss of his wife. The gods agree to let Orpheus rescue his wife, Eurydice, from the underworld, but there is a catch. To be together again, he must lead her out without turning to look back at her, or she will be lost from him forever.
Orpheus is played by Samoan baritone Samson Setu and Eurydice by soprano Deborah Wai Kapohe (Te Ātihaunui-a-Pāpārangi, Te Aitanga-a-Māhaki, Ngāti Rua) and Amor by Madison Nonoa (Samoan, Niuean and Pākehā heritage)