"Sometimes I don't think of myself as a pipa player," says Wu Man, the world's leading pipa player. "I don't want to limit myself; the pipa is just a tool to me. I want to be a musician."
Wu Man could never be accused of limiting herself. She and her pipa, a traditional Chinese lute-like instrument with a history going back more than 2000 years, have appeared with a dizzyingly diverse range of artists from avant-jazz saxophonist Henry Threadgill and English folk singer Martin Simpson to Appalachian banjo player Lee Knight and tabla master Zakir Hussain.
She has played on more than 40 albums, too, which include two recordings of Lou Harrison's Concerto for Pipa With String Orchestra, the most recent of them accompanied by the Chicago Symphony conducted by former Auckland Philharmonia music director Miguel Harth-Bedoya.
Wu Man teams up with the APO on Thursday (with Tung-Chieh Chuang on the podium instead of Harth-Bedoya) to give Harrison's concerto its New Zealand premiere. The work was written for her, and requires Wu Man to play in an eclectic mix of styles, drawing as it does on Russian balalaika music, Neapolitan mandolin thrumming and mediaeval dance forms, and containing a section comprised entirely of percussive finger taps. Wu Man hears still more influences.
"To me it's a very Californian, Pacific style" she says. "It's not Chinese, not American, not European, not [Indonesian] gamelan; it's something mixed.
Mixed and hard to play, according to Wu Man.