Let's start with some numbers: a 28-year-old Event - yes, it deserves a capital E - involving 350 cast, crew and 163 garments made by 133 designers competing for a share of $165,000 of prize money and attracting an audience of 58,000 during three weeks in Wellington, which will reap about $30 million, thanks to the internationally recognised design competition.
The World of WearableArt Awards Show (WOW) is New Zealand's largest and most technically challenging theatrical production and, after the show, the winning garments are displayed at the World of WearableArt and Classic Car Museum in Nelson to be seen by a further 40,000 people. In addition, WOW's first international travelling exhibition is showcasing 32 award-winning garments around the world and is currently in the United States.
No pressure, then, for the people who put together the show. You could easily get that impression when you talk to Inside Out Productions' Mike Mizrahi. Two weeks out from WOW, which opened this week, he sounded relaxed, jovial and excited; if he was feeling a tad overwrought about having the weight of a world on his shoulders, he didn't let on.
Then again, he and partner Marie Adams have staged some of the most spectacular theatrical productions for some of the world's biggest brands, including Louis Vuitton, David Jones, and the Rugby World Cup.
But even Mizrahi acknowledges they had little idea of the scale of WOW before they signed up two years ago to devise and produce the 2015 and 2016 shows. They'd seen WOW years before in Nelson, where it started in 1987 to promote the Williams Higgins Gallery, a small art space in the rural hinterland run by painter and sculptor Suzie Moncrieff.