The New Zealand Symphony Orchestra made its penultimate 2021 Auckland appearance with two very different concerts.
Friday evening belonged to Nga Hihi o Matariki, Gareth Farr's "symphonic" celebration of Matariki.
It was indeed sonically spectacular, but would one expect anything less from this composer, as we were summoned into his domain by the clang of metallophones and mysterious gamelan-like enticement?
Equally spectacular were soloists Mere Boynton and Ariana Tikao although, for me, their extensive waiata proved more mysterious than necessary.
A staunchly bilingual programme booklet informed us that the te reo Māori lyrics would somehow be "transmitted to those who are open and alive to the experience". Despite Boynton's magisterial vocalising and Tikao's beguiling taonga puoro, I would have appreciated subtitles.