How many in Thursday night's well-filled Town Hall felt a special sense of occasion as Stephen De Pledge, Michael Houstoun, Somi Kim, Jian Liu, Sarah Watkins and Liam Wooding took their allotted places around an
William Dart: Voices at the End at the Auckland Arts Festival - review
William Dart
Six pianists play John Psathas' Voices at the End. Photo / Simon Moore
The world premiere of John Psathas' Voices at the End proved a riveting 40 minutes, casting the same six pianists against a digital soundscape, presented with the immediacy of a state-of-the-art movie theatre experience.
Little wonder that Psathas, in his pre-concert talk, credited sound man Graham Kennedy as the seventh piano.
![Composer John Psathas. Photo / Simon Moore](https://www.nzherald.co.nz/resizer/v2/UI3ZFWRO3WONDREPPINO273NB4.jpg?auth=555b7ede627be8e65a7b9b0272f3bff057972f29e0612cd976f3650307280fc0&width=16&height=11&quality=70&smart=true)
Voices is an eloquently argued eco-plea, with many dramatic contrasts, from the choral roar of angry voices to the pristine beauty of Briar Prastiti's Armenian song. Around all of this, the pianos weave their magic, achingly simple when Prastiti sing, but dealing out such fire and fury at one point that the audience broke into spontaneous applause.
Psathas sets out a potentially terrifying scenario. Yet hope emerges with the sound of heartbeats and sonorous Japanese shakuhachi flute, culminating eventually in the warm, rich chords of a short epilogue.
Voices at the End grew out of Psathas' 2018 residency with the British ensemble Piano Circus. We can be proud that it has received its premiere back home in a country that, despite our comparatively lucky position, cannot afford to ignore its message.
Music review
What: Voices at the End
Where: Auckland Town Hall
When: Thursday
Reviewer: William Dart