It was Austin who introduced the piece, instilling a sense of ritual by chiming a small temple bell before the ensemble unleashed its searing sonic snapshots. While the mood was often raw and primal, there was spiritual space for a solemn funeral march and for Tennant’s moving recitation of a Pablo Neruda poem that inspired the piece’s title.
On either side of these extraordinary seven minutes, one felt the golden glow of nostalgia, as Atanassov joined in for two piano quartets by Mozart and Schumann.
The celebratory first movement of Mozart’s Second Piano Quartet was nicely caught, lightened by Austin’s rippling ornamentations, while the strings effectively explored their own rich harmonies in the Larghetto.
Schumann’s surging ebullience fitted well with the enthusiasm and rapport of the musicians. Atanassov gave a strong lead as well as sweet lines, although Schumann’s inner heart was best revealed by Tennant in a poignant slow movement.
What: New Zealand Chamber Soloists
Where: Town Hall Concert Chamber
When: Sunday