Inspired by the changing colours and textures of light playing on trees, it proved to be a deeply immersive 14 minutes.
Pianist Somi Kim, drawing sound from keys and strings, provided support and structure for some virtuosic bedazzlement from Amalia Hall and Ashley Brown.
After the interval, NZTrio revisited a score commissioned in 2012 — Karlo Margetic's Lightbox, which carried off the SOUNZ Contemporary Award in the following year.
Brown's genial introduction, giving us a performer's perspective, was invaluable. However, the intense physicality of its delivery, and Margetic's shrewd use of an almost obsessive five-note melodic anchor made for edge-of-the-seat listening.
Kim whetted aural appetites when she introduced the rarely-heard 1910 Piano Trio by the 12-year-old Erich Korngold, alerting us to luscious melodies and fireworks ahead.
It wasn't difficult to hear hints of Korngold's later Hollywood film scores in its sumptuous textures, out-Straussing Strauss with its chromatic saturation.
In the wrong hands this might have lumbered, but on Friday night, the musicians effortlessly embraced the Viennese capriciousness that floats over Teutonic complexity. It was no accident that two of its movements drift into waltz-time, scrumptiously evoked on this occasion, to the last swooning glissando.
What: NZTrio
Where: Town Hall Concert Chamber
When: Friday