It wasn't that long ago that you could have shot a post-apocalyptic drama in downtown Auckland on a Sunday afternoon and had quite a realistic background. No longer. The creators of teen sci-fi thriller The Cul de Sac, written and directed by Stephen Campbell, had to resort to digital manipulation to wipe signs of life from the face of the city.
In a chilling scene from episode two, survivor Rose (played by Greta Gregory) is seen walking along a motorway off-ramp above Auckland's central Spaghetti Junction, which is eerily devoid of cars. The unused ramp she is walking on has now been converted into the "pink path" cycleway, but getting rid of all the other signs of life in the scene was a bit more of a challenge, says Campbell.
"We filmed the shot on a Sunday but those roads are never really empty," he says. "We just locked the shot off and filmed, focusing on Greta, walking down the unused piece of ramp."
Then it was up to motion graphics guru Phil Brough of Vinewood to "cut and paste" sections of empty motorway to create a realistic image.