Wah Wah Watson, aka guitarist Melvin Ragin, who died aged 67 last month, was the little-known name behind some of the best-loved, most-hummed R&B music ever recorded; among the songs that he played on were Let's Get It On by Marvin Gaye, Papa Was a Rolling Stone by the Temptations, and Rose Royce's disco classic, Car Wash.
The last two were produced by Norman Whitfield, the presiding genius in Motown's studios as the label engaged with psychedelia, and it was he who in 1971 gave the 21-year-old Ragin his break on a session accompanying Edwin Starr. Adjudged a success, Ragin became a regular sideman with the Funk Brothers, Motown's in-house backing group in Detroit.
There, Ragin heard the unusual effects that guitarist Dennis Coffey was fashioning with a wah wah pedal for the Temptations on tracks such as Ball of Confusion. The effect was akin to that of crying - hence the name, which Ragin then adopted as his musical persona.
Jimi Hendrix had been an early proponent of the pedal, for instance on Voodoo Chile, and its rhythmic potential was soon to become familiar (and much imitated) through Charles Pitts' playing on the theme from Shaft. Yet Ragin was frustrated at first by its limitations and became adept at producing a wider, more subtle range of sounds with it.
These were heard first in 1972 on Papa Was a Rolling Stone, with Ragin's prowling guitar creating a template for urban soul. He also played on Marvin Gaye's masterpiece, the album What's Going On, before adorning the singer's paeans to desire, Let's Get It On, and I Want You.