I adored
A Separation
- although if they disclosed what happened to the money Razieh was accused of stealing I missed it. Alongside the sublime tradition of art cinema (
White Meadows
; the films of Kiarostami) Iranian movies have a tradition of socially realist dramas that have their roots in everyday domestic life (remember
The Key
, which was actually produced as a good-parenting guide?).
This was absolutely electrifying and the beautifully ambiguous ending quite perfect.
New screenings are already being scheduled for the Rialto of
Page One: Inside the New York Times
,
Fire in Babylon
and
If a Tree Falls
(respectively this Saturday at noon and 6pm and Sunday at noon).
I'm a little surprised that the former is exciting such interest. On a journalism group I subscribe to there was some discussion about whether it would appeal to non-journalist audiences. I'm inclined to think that the interest has something to do with the widespread unease about the story unfolding in the UK.
Murdoch's tentacles no longer reach into NZ but questions about the concentration of media ownership and the decline of quality journalism exercise a lot of people here too.
As for
Fire in Babylon
I am glad to think that it is reaching beyond cricket-lovers. It's really a story of a pushback against colonial masters, with Rasta overtones (Babylon is the Rastafari word for any oppressor but particular colonial Britain). It's fabulous.
The word is that bookings are very busy for
Melancholia
,
The Trip
,
Nosferatu
and
Animation for Kids
but that overall ticket sales are tracking at the same level as last year which is gratifying for the organisers of a non-profit event.
The first international guests arrive this week. Ti West (director of horror film
The Innkeepers
) will introduce his film at SkyCity cinema at 8.30pm tomorrow and director Justin Kurzel and lead actor Daniel Henshall from
Snowtown
will be on hand on Wednesday to introduce their screening that night.
Audiences at the Sunday night screening of
Sleeping Sickness
apparently got the chance to see the opening of
Attenberg
in which two young women pash furiously.
Fortunately festival director Bill Gosden was present and knew that
Sleeping Sickness
opens with a shot of trucks on an African road at night. I'm not sure whether he did an imitation of Albert Finney in
The Dresser
(STOP! THAT! FILM!") but he tracked down the projectionist and after a slight delay people got to see the right movie.
Right. I'm off to
The Kid With a Bike
and
The Tree of Life
. Have a good one.