1.You're just back from taking your neo-burlesque show to the Edinburgh Festival. What's a nice 63-year-old like you doing choreographing erotica?
Who said I was nice? I just did it to make money for the [Tempo] festival really. I wanted to make a show that made some money so I did sexy and naked, and it's funny too. It was about getting that half of the audience who don't come to dance much any more, to come again. You know that half? The half that find the non-verbal stuff quite difficult? Men.
2.Is leading an erotic life important to you?
Oh yes. As a dancer the physical side of being human is really, really important. Being sexy and sensuous is very important to me. You notice you become invisible after the age of 48 or so. You have to be extra stroppy to be noticed as you get older, if you want to be noticed.
3.Why do so many Kiwis still speak so fondly about Limbs?
There's lots of reasons really: it captured the spirit of that age. And we were incredibly gorgeous and sexy and beautiful and funny. It was contemporary dance as the public hadn't seen it before. I often say now that if we'd been relying on our [dance] peers to fund us we wouldn't have been funded but there were people on the funding agency - like Ray Columbus - who loved us.
4.There was backlash from more traditional dance - was it a brave thing to do?
No. We were just passionate about dancing and knew if we lived here we had to make our own stuff. We did brave things, though - dancing at Paremoremo Maximum Security prison. We took our clothes off there - well, we took off our baggy overalls to reveal our unitards. The prisoners were stunned. They went "whoa" at first then were very quiet. We danced at a Headhunters party too.