Madonna isn't a name that's synonymous with movie magic, so it's no great surprise that her latest directorial effort has had a critical mauling.
Madge's semi-historical drama W.E. received a barrage of scathing reviews when it debuted at the Venice Film Festival back in September.
"The script is the first problem. Co-written with Alek Keshishian, it's laden with cliches and clunky exposition from the off, with some moments drawing laughs from the Venice audience," cried The Playlist's Oliver Lyttelton.
The Guardian's Xan Brooks sniped: "What an extraordinarily silly, preening, fatally mishandled film this is.
"Her direction is so all over the shop that it barely qualifies as direction at all. W.E. gives us slo-mo and jump cuts and a crawling crane shot up a tree in Balmoral, but they are all just tricks without a purpose."