This is the second Basement play in two years about young New Yorkers mouthing off like there's no tomorrow, annoying the hell out of each other, stoned out of their brains. Last year's The Motherf***er With the Hat analysed working class characters while this production (a 1996 drama by native New Yorker Kenneth Lonergan) dissects rich slackers living on the upper West Side in 1982.
But the result is similar: a claustrophobic city slice of intriguing, aggressive and hyper-articulate characters whose vulnerability (and self-obsession) makes them rough each other up.
They're regular kids, trying to live on the edge, "high on fear". Daddy's money is a dubious safety net; it becomes an enabler of risky behaviour, and Warren (Ryan Dulieu) literally lugs his personal baggage with him.
Benjamin Henson's direction emphasises the drama rather than the laughs, and Christine Urquhart's bar-frame set is sandwiched between two opposing audience blocks, creating an atmosphere of restrictive enclosure.