Ambling onstage as the show's narrator, Rocky Horror creator Richard O'Brien was greeted with a spontaneous eruption of applause. He acknowledged the welcome with a typically Kiwi piece of self-effacement - casually announcing that "the little bodgie bastard is back".
But the relaxed, down-to-earth demeanour only underlines the fact that O'Brien is returning home in triumph - riding high on a superb British production of the show that conquered the world and has never really been out of the limelight since its 1973 debut in the 60-seat studio of London's Royal Court Theatre.
Director Christopher Luscombe wisely avoids any attempt to duplicate the iconic images from the movie and his brilliantly inventive staging has a chorus of phantoms artfully manipulating scenery that includes shadow puppets, handheld spotlights, cute cartoon graphics, and a wonderfully low-tech design for the Frankenstein laboratory.
The highly theatrical staging keeps the emphasis firmly on the songs and the first half races by in a 45-minute blast of high-energy showmanship.
The message about liberation coming from the forbidden fruits of hedonistic excess does seem a bit dated in a world where we are at risk of entertaining ourselves to death and gay culture is so triumphantly mainstream. But the show's innocent exuberance is infectious and there is a strong nostalgic appeal in recalling a time when transsexuals were seen as something dangerously subversive.
The highly professional cast all deliver excellent performances and the powerful voices of Juan Jackson as Frank-N-Furter and Alex Rathgeber as Brad lend an operatic quality to the show's big production numbers.
The Kiwi connection is given a powerful boost with Kristian Lavercombe's suitably deranged Riff Raff and there was plenty of humour as the straight-laced characters succumb to the seductive vortex of madness.
Mark Simpson carries off a remarkable piece of character acting as he switches between bad-boy rocker Eddie and the indomitable Dr Scott.
The clever song lyrics were occasional swamped as an over-amplified band slipped into bombastic 70s stadium rock but the musicians redeemed themselves with the foot-stomping rhythms of basic rock'n'roll - most notably when O'Brien kicked out the familiar guitar riff in the finale version of Time Warp.
The Rocky Horror Show is playing at the Civic until November 27.
Theatre Review: The Rocky Horror Show, <i>The Civic</i>
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