Miles Gregory, the visionary founder of Pop-up Globe, counts The Comedy of Errors among his favourite Shakespeare plays and his exuberant production of this often-overlooked work embodies the joyous spirit that has made the Pop-up such a hit.
The play pushes mistaken identity to such absurd extremes that a bond is forged between the audience and the players, who are united in yearning to be free from a world ruled by chaos and confusion.
The wilfully implausible plot can almost be ignored; all you need to know is that a pair of identical twin brothers and their servants, who also happen to be twins, were separated at birth and several decades later find themselves together in the small Turkish/Greek city of Ephesus.
The ensuing mayhem plunges us into a series of stock comedy situations with bombastic masters victimising insubordinate servants, ardent lovers spurned by their beloved, tradesmen cheated of their wages and quack-doctors imposing outrageous treatments on unwilling patients.
The comedy inherent in these scenarios expands exponentially with the addition of a double-dose of mistaken identity and director Gregory treats each episode as a set-piece for bravado display of buffoonery.
