This likeable, happy-go-lucky two-hander starts off with a bang - or at least, a raucous tussle of clothed lust. Helena and Bob aren't expecting to hook up when they both enter a posh Edinburgh bar where lawyers are "lawyering around the room", but they both need an escape. So hey, why not?
After the opening scenes, the pace slows a bit but Scottish playwright David Greig has a brilliant way with words and this 2008 play is knowing, funny, and both physical and chatty. The script apparently doesn't indicate which of the characters should speak which storytelling lines; they are cleverly shared in this Silo show.
The weekend city adventures are generic but the 30-something angst ("is this all there is?") rings true. The script teases, jumping forward and back, making us eager for what's next. What's this about Elmo? And ... Japanese bondage?
Directed by Sophie Roberts, the performances by Aidee Walker and Dan Musgrove are magic - natural and compelling, with great stage chemistry and audience rapport. Walker's luminous face and defined cheekbones contrast fabulously with Musgrove's blurred burliness as the petty criminal so nondescript he's known as "Middle Bob".