The scenes set in quarantine, even though you can't see anything, are probably the most terrifying moments in a theatrical production you'll ever experience. All we have left is our sound, and Juliet Stevenson – the sole narrator and voice actor in the piece – delivers a truly haunting, powerful performance that you can't escape from.
The sound design from Ben and Max Ringham in the UK and Andy Tsang in Auckland, alongside lighting from Jessica Hung Han Yun and Roydon Christensen, is immersive and all-consuming in a way I have never experienced before from any art form, let alone theatre. Surround sound is used to astounding effect to put you in the place of one of the blindness victims, with footsteps echoing behind you in the dark before Stevenson as the increasingly desperate doctor's wife whispers in your ear.
It is incredibly unsettling but completely effective. I have never experienced a work like this that makes you a part of the play, that draws your emotions out to such effect, and it makes for a truly unforgettable experience.
There is little more to say without ruining the surprises that are in store. All you need to know is that this is a theatrical production like no other, and one that has to be experienced to truly understand its effect.
What: Blindness
Where: Auckland Town Hall until May 16