You never show the executive, which reminds me of horror films where the predator stays unknown, like how the shark in Jaws isn't in much of the movie. Did horror influence you at all?
I knew from the beginning I wanted a female-centred film. I didn't want to make it about a bad man and their bad behaviour. We've given bad men enough screen time.
I wanted to keep him out of it but focus on the machinery and the system around him. A lot of influences were David Fincher films like Zodiac or Mindhunter, these very claustrophobic, intense, office environments. We wanted it to feel authentic, have fluorescent lights and everything that an office has, but have a certain tension. It was a challenge to get that balance right so it didn't feel too much like a horror movie, because it isn't really. It's a very naturalistic portrait of somebody's day but having moments of tension and suspense.
Having done all your research and lived with this film for two years, were you able to find any answers to these problems or identify a way to rebuild these systems so this doesn't continue?
I was looking at a lot of #MeToo coverage that thought if we get rid of Harvey Weinstein we've solved the problem. I wanted to point to the fact that the problem's much larger. We need to really shake up the way we treat our colleagues and look after each other and make sure we have more equality in the workplace. I wanted to start those conversations, which I think we've succeeded in doing.
I really do think we're all complicit in some way, in this system that's sidelined women for so long. We all need to think about our behaviour, how we treat others, and how we support our colleagues. Rather than place the blame on one or two people, the film is trying to get us all to rethink the way our workspaces are and how safe, fair and equitable they are. A little bit of introspection will help.
LOWDOWN
Who: Director Kitty Green
What: The Assistant, a tense film about shady practices in the entertainment industry
When: In cinemas now