Rating:
* * * *
Possibly the Bads doth complain too much - on their song
Irritainment,
they target modern television over a spot of ye olde pub rock guitar chug. But the title track to this has already had prime-time exposure via
Rating:
* * * *
Possibly the Bads doth complain too much - on their song
Irritainment,
they target modern television over a spot of ye olde pub rock guitar chug. But the title track to this has already had prime-time exposure via
Hunger for the Wild
, one of those shows attempting to make celebrity chefs out of a couple of Wellington restaurateurs not quite up to the job description.
Oh well. That song is about the only misstep on this, the second album under the Bads moniker by partners Dianne Swann and Bret Adams.
The Bads' record from 2005 first caught them grappling with stylistic issues, trying to reconcile their pop and rock pasts with a growing enthusiasm for alt-country. This one is a far more relaxed, cohesive affair which lets the songs breathe with rustic charm and fine tunes. And that's right from the title track which opens this, while, thankfully, evoking something more than whitebait fritters.
Elsewhere, with Adams briefly taking the lead vocal they head boldly into Wilco territory on
Drop in the Ocean
and deliver deft duets on both the rollicking country rock
Gracious
and the twangin' tale of woe
Helensville
, while Swann's solo voice gives this a lovely line in heart-bruised ballads like of
Baby Come Home
,
Valid State of Mine
and the closing
Floodgates
. Yes here, the Bads deliver the goods.
Russell Baillie
An original character made a surprise return, but who didn't make it out alive?