There was thoughtful, almost curatorial programming afoot in Takacs Quartet's concert.
String quartets by Haydn and Dvorak, a century apart, were the main offerings; works by men who never lost touch with the folk culture around them.
Lyrical exchanges between leader Edward Dusinberre and cellist Andras Fejer revealed just why Haydn's Op.76 no.5 was celebrated for its richly expressive Largo.
Yet, from the very first movement, marked Allegretto rather than Allegro, an unfailing lilt of phrase meant that Haydn's harmonic and other surprises were beautifully framed and captured.
Little did we realise that its runaway finale would be echoed in the concert's encore, a zany Presto scherzando from the composer's Opus 20 no 4.