So will you be in the sitcom version and how will it work?
Yes. It's me failing to meet women in Los Angeles. Whereas the stand-up is me failing to meet women in London. It's all variations on a theme basically.
The live show publicity ["so this tour is a great opportunity for me to get out there and meet my fans. And make at least one of them my wife"] sounds like it's turning celebrity stalking on its head.
The original idea was a joke about searching for a wife on stage. But increasingly the more I mentioned that in the press, the more it got kind of creepy. People would start sending emails and letters to me with love resumes with offers. I started getting a little bit unnerved by that and I was worried they would show up at the show in a bridal gown - choose me! - so it's not really that. It's a dissection of my failings in love over the years.
What does stand-up mean to you? Because while you started out doing it, a big part of your career has been doing anything but. Is it like the Shakespearean actor-turned-movie star going back on the boards?
Well, I like the suggestion I am like Sir Ian McKellen going back to King Lear but basically it's a tall bloke telling knob jokes. I started it when I left university and I did it on and off for a couple of years and I was solid enough to make a living from it - or certainly to get paid.
When the TV stuff happened I stopped doing it and I just wasn't taking enough pleasure from it. It's not something that I needed to do because I needed the fix or the love of the crowd.
Are you braver now than when you started out?
I'm probably not as brave as when I started, because I now have the fear of failing much more than when I began because now I am in the public eye much more. With the advent of YouTube and blogging and tweeting, it's hard to make mistakes. So I am not as audacious as when I first began and I didn't really care if I failed miserably.
But now people are going because presumably they are fans of your television stuff.
That's true but at the same time they have expectations. And because I didn't make my name as a stand-up, it took me a while to develop the stand-up show in a way that kind of satisfied the audience who know me from all kinds of different things. In a way, this is really me defining my stand-up persona and my stand-up attitude, because I don't think you will have seen it in quite the same way before. It's much more physical, it's quite confessional.
Is it confessional of you or a character you've created with your name who looks a lot like you?
No, it's confessional of me but obviously when you tell stories you are presenting the worst aspects of yourself - or at least I am. When people see it, they come away thinking I am just a tragic lonely figure and I am a tragic lonely figure but I have other things going on as well to compensate.
You mentioned your comedy heroes were all stand-ups. Who are they?
People like Woody Allen would be chief among them. I was also a big fan of Bob Hope, which people think is quite unusual but his on-screen film persona was always so funny to me - the would-be ladies man.
John Cleese was another big hero of mine and he actually grew up not a million miles away from where I grew up. So he was always someone I idolised when I was young. I used to say to people I want to do what John Cleese does - which is perform and write a sitcom and do movies and stuff and I have managed to do many of those things. He always managed to combine a thoughtful sense of humour with physical pratfalling and I always admired that.
You've made jokes about riding on Ricky Gervais' coat-tails but do you feel you're in his shadow? Or is it actually a handy spot to be in?
It's not from any game plan on my part. He was on screen for the first project we did and that made him a household name. I have never done anything with fame as a pursuit. I know that seems weird when you think of what I do ... but any celebrity that comes with that is a by-product. I am only in his shadow if you assume my want or desire is having people know who I am. But when we work on the projects, we write it together, we direct it together, we edit it together. I am not sat in the carpark waiting for him to finish it. So in that regard, I have never felt that I am in his shadow really.
Who: Stephen Merchant
What: His Hello Ladies stand-up tour
When: Opera House, Wellington Monday Dec 17; Auckland Town Hall, Wednesday Dec 19 and Thursday Dec 20
- TimeOut