With only three weeks to go until the annual Shortland Street cliffhanger, producer Oliver Driver reveals how the series kept churning out episodes within their bubble.
"Filming under level 3 restrictions meant we had to rethink how we went about the end-of-year episodes without compromising the drama. It can feel overwhelming when you look at it as a whole but it was all about dividing and conquering, breaking it down into areas that felt achievable under the restrictions," Driver tells Spy.
"With actors socially distanced, we had to come up with different ways to shoot," he says. "We now have an arsenal of tricks to shoot the show safely and keep things looking real for our loyal audience."
One of those tricks includes a "Kissing Screen", which enabled the production to reintroduce more passionate moments instead of just suggesting it through the use of camera angles and longing looks.
"Looking at how other productions were shooting around the world revealed that some were using glass screens. It enabled us to show two actors closer than they were and give the illusion they were being intimate. I'm sure as an actor it feels really silly – but it definitely works."