When buzz for Snail Mail (aka Lindsey Jordan) began to sweep the world of indie rock in 2018, press coverage often referred to Jordan as an artist who represented the future of indie rock – helping the genre look less male, pale and stale than it had in the past. But for Jordan, it's a thorny topic. She recognises why it was being pointed out, but after a while, the coverage started to take a toll on her.
"I hated having to answer questions about being a woman and being gay and being young. All of it, to me, has nothing to do with the music," she says.
"I think the main takeaway is just that it's necessary to address that there are problems still but at the same time it definitely takes away from the individuality of each of these artists' work. I also think it's weird because there have been women in music for so long, but all of a sudden it's like, 'girls are in bands!'"
Coming out publicly was something Jordan did cautiously – she didn't want to "exploit" her identity, but saw a need to increase visibility of queerness in music. "There are so many young queer people who don't have a lot of musicians or idols they can identify with," she says. "Growing up, I didn't have any and I think maybe things would have been very different for me if I had."