When Sherlock held its debut screening at a boutique London hotel in mid-2010, Steven Moffat had no idea it would quickly become such a global phenomenon. But three and a half years later, devotees of the hit BBC series queued overnight outside the National Film Theatre on the South Bank just before Christmas in the hope of getting their hands on one of the last remaining tickets for the premiere of the first episode from the much anticipated third season of the the Doctor Who showrunner's radical adaptation of Arthur Conan Doyle's famous crime stories.
"From the moment the first episode went out, it was so huge," says Moffat. "People ask if it's a pressure writing Sherlock because it's so successful but it really isn't. It's a pressure writing failures and I've done that plenty of times, which is shockingly dreadful. Writing a successful show is just a joy and knowing the voices of those two guys and that they will do it brilliantly, it doesn't get any better than that."
And while two months have almost passed since Sherlock first made the spectacular return to British television screens, Moffat and his writer and producer partner Mark Gatiss are grateful that the exact circumstances behind his miraculous feat have not been widely revealed on the internet.
"All credit to the newspapers and the fans who were watching while we were filming in London, as loads of people have seen it," he says. "There were crash barriers behind which solemn ranks of Sherlock fans stood and stared at what we were doing and none of them have given it away."