Notorious Milk Bar and Jukebox murders, and subsequent moral panic, drive play with mostly teenage cast.
If Peter Larsen's play Albert Black is written as eloquently as he describes it, it'll be a stunner. Set in the 1950s to a rock 'n' roll soundtrack and based on Redmer Yska's 1993 book All Shook Up: The Flash Bodgie and the Rise of the New Zealand Teenager in the 1950s, it chronicles the "fiery emergence" of New Zealand's first American-influenced teenagers.
"It's a history that has been covered up and swept away under a conspiracy of decency and conservatism," says Larsen, who spent years researching crimes such as the Milk Bar Murder and the Jukebox Killing, which fed into Albert Black. Albert "Paddy" Black was a Belfast immigrant who arrived in button-downed New Zealand and quickly fell in with the rebellious teenagers - bodgies and widgies - who frequented Queen St milk bars.
In winter 1955, the 18-year-old Black fatally stabbed 19-year-old Alan Jacques next to the jukebox in Ye Olde Barn, a milk bar in Queen St. He was hanged for the crime three weeks before Christmas. Asked for his last words, he allegedly wished everyone a bright and merry Christmas and New Year.
The country was already reeling following the hanging of 19-year-old Freddie Foster, who killed his former girlfriend at Somervell's milk bar just three months before. A year earlier, Honora Parker had been bludgeoned to death by her 16-year-old daughter Pauline and Pauline's friend, Juliet Hulme.