A week ago, in Manukau, Auckland Philharmonia Orchestra's Dance Project 2013 had scores of youngsters, choreographed by Moss Patterson, unfurling the whirl that was Takarangi. It was breath-taking, danced to the sounds of the orchestra's percussionists and a few non-percussive colleagues.
So, too, was the musicians' straight soundtrack concert in Takapuna on Monday night.
Principal percussionist Eric Renick was MC, with wit on the wry side and the ease of a good conversationalist.
In Casey Cangelosi's Glamour, he whisked around a table-top of instruments, against an implacable metronome. The epiphany came when you realised he was creating parallel rhythm worlds beyond the machine's strictures.
He warned us that Nebojsa Zivkovic's Trio per Uno was very tribal and very fun. We were hypnotised by Renick, Jennifer Raven and Shane Currey around the table of a bass drum, fluttering and flicking with drumstick. Caught on a screen overhead, it had the visual zing of video art.