Bedecked in an array of wigs, sequins, leotards and leather, tonight 12,000 dedicated fans worshipped at the temple of Lady Gaga, during a two and a half hour stage spectacular with Gaga preaching her mantra of loving thyself, throughout.
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The show was mind-boggling (and extraordinarily loud), with a five story gothic castle set, and set pieces which range from a giant inflatable pelvis which gives birth to Gaga and her 12 dancers, to a three wheeled motorbike which became a keyboard, a mechanical horse, a couch made of muscle and tendons, guns, carcasses (yep, she even wore a meat dress), and too many costumes and head pieces to count.
It was like an avante-garde opera for the modern age, which occasionally got confusing in it's direction - Gaga began the show as an escaping prisoner, a warrior who will take over the earth for us, not alien yet not human, but also stepped out from behind her character at certain points, to make some very real human connections with her reverential fans.
But despite it's odd changes of pace and message, it was a stunning display of creativity and talent.