This intense deconstruction of Foreskin's Lament reminds us why Greg McKee's classic 1981 critique of New Zealand's toxic masculinity is still acutely relevant today.
While the original focused on the fallout for broken rugby players, Eleanor Bishop's assured extension concentrates on the women disrespected off-field: given the Chiefs' scandal and even Ponytailgate, Boys tells us that we haven't come so far after all.
Written for Auckland Theatre Company's youth festival "Here & Now", Boys rides the current zeitgeist of self-consciously feminist works such as Silo Theatre productions Boys will be Boys and Revolt ... , as well as Power Ballad, the solo show of Bishop's co-director Julia Croft.
Boys is loud and angry, which is all to the good: Te Aihe Butler's throbbing, urgent sound design drives the show.
However, using a legal court set-up to emphasise blame, it's also preachy.