Mendelssohn's Calm Sea and Prosperous Voyage has always seemed a poor cousin to his more popular Hebrides Overture, despite its literary credentials.
The composer may track a Goethe poem from religioso introduction through stolid musical seafaring to the dramatic salvation of a three-trumpet fanfare but, on paper, it's a curiously awkward work.
However, such is the alchemy of a persuasive live performance combined with the staunch advocacy of conductor Eckehard Stier that this problematic piece provided a rousing launch for Auckland Philharmonia Orchestra's Calm Seas concert.
American violinist Noah Bendix-Balgley was a lithe, urbane soloist in Mozart's K 218 Concerto, showing the assurance and sangfroid of an Olympic athlete in truly Olympian music.
Deft at tracing a shapely line along with the many twists and turns of the mercurial finale, Bendix-Balgley seemed to be conspiring with Stier to dispense stylish and guilt-free pleasure.