Annihilation is the big screen experience of the year. You know what's coming next: in New Zealand, a theatre is the last place you can watch it.
Because of some top level shenanigans involving dodgy test screenings, nervous movie bosses and balance sheets, Alex Garland's high-concept sci-fi epic hasn't been made available in theatres here.
Instead, the US$55 million film, one likely to be remembered as 2018's most adventurous sci-fi experience, is streaming on Netflix right now, next to crapfests like Bright, Gods of Egypt and The Do-Over.
It's a crying shame, because Garland's second feature film - after the also impressive Ex Machina - is a dizzying exploration of the human condition, one that will leave your head spinning for days.
I've watched it twice over the past two weeks, and I'm still trying to unravel Annihilation's layers, decipher its deeper meanings, its hidden metaphors.