Rating
: * * *
Verdict
:
Winehouse, without the kick
Rating
: * * *
Verdict
:
Winehouse, without the kick
The guys at Sony probably wouldn't have been very enthused by Paloma Faith if they had heard her before Amy Winehouse planted the neo-soul seed in their imaginations.
Her lyrics are predictable, her voice, though saucy, pretty uninspiring and there's certainly less urge to jump on a table and croon along with an air microphone - and pull out the finger wobble.
It's disappointingly restrained considering all the hubbub about Faith's background in cabaret and burlesque performances.
Upside Down
is one of a few gems on the album, which, if played at a gathering of sorts, could get bodies doing a nostalgic 1930s style-bop, while other songs on the album seem let down by the flat tempo.
The vocals on the album really seem best-suited to the orchestral piano and violins playing in
Broken Doll
- Faith would bring down a piano bar with this one.
Her singles
Stone Cold Sober
and
New York
do have the elements of chart-toppers - they're a bit different, but still fit the sound du jour - bit R&B, bit soul, bit pop ... and you can sing along.
Yes, Faith rolls smoothly along on Winehouse's bandwagon, but for someone with fiery-red hair and a tattooed torso, she's not very edgy.
Her album might come in an artistic case, but Faith seems a stone cold sober version of the girl who paved the way.
Jacqueline Smith
The host has been spotted across the Atlantic post-election.