Twelve weeks, two season extensions, 128 mostly sold-out performances attended by 100,000 (including 20,000 school students) and 10 productions at a replica of the second Globe Theatre: if Auckland's Pop-up Globe demonstrated anything, it's that 400 years after his death there is still an appetite for William Shakespeare's writing.
Now a team of Auckland theatre-makers hope we're still hungry. Led by first-time scriptwriter and director Ash Jones they're bringing Thomus to town - a new work written entirely in "iambic pentameter", the rhythm of writing Shakespeare used in his plays.
But Thomus is a contemporary coming-of-age tale told from the point of view of a New Zealand teenager (played by Milo Cawthorne) in his final year of high school and dealing with the adult unknown. His parents' marriage looks set to implode; Thomus wants to keep them together - should he act or are things better left to run their natural course?
Describing his work as psycho-thriller, Jones says he didn't intend to take one of Shakespeare's play and modernise it; the goal was always to write a contemporary play about current issues using the language of the Bard.
It's taken him about six years, after being inspired by appearing in Shakespeare's Titus Andronicus, to write, refine and test out his script. He was urged into finishing by actor Sam Bunkall (Boyd Rolleston on Shortland Street).