Taylor Hazlewood is suing Netflix over the use of an image of him, at right, in The Hatchet Wielding Hitchhiker, a true-crime documentary about Caleb Lawrence McGillvary, left. Photo / Netflix
Taylor Hazlewood is suing Netflix over the use of an image of him, at right, in The Hatchet Wielding Hitchhiker, a true-crime documentary about Caleb Lawrence McGillvary, left. Photo / Netflix
A Kentucky man is suing Netflix for using his image in The Hatchet Wielding Hitchhiker, a documentary about an internet folk hero turned convicted murderer.
In 2019, Taylor Hazlewood posted a picture of himself holding a friend’s hatchet on Instagram as a tribute to his favourite childhood book, Hatchet, ayoung-adult wilderness survival novel by Gary Paulsen.
Now, that image has surfaced in a starkly different genre.
Hazlewood is suing Netflix for using his photo in The Hatchet Wielding Hitchhiker, a true-crime documentary about a hitchhiker turned convicted murderer. Hazlewood, a 27-year-old respiratory therapist from Kentucky, has never been associated with a murder, let alone convicted of one, according to the lawsuit filed in District Court in Dallas last week.
He is seeking US$1 million ($1.6 million) in damages for defamation and the misappropriation of his likeness.
Reached by phone Tuesday, Hazlewood referred requests for comment to his lawyer, Angela Buchanan. In a statement, Buchanan said “there should have been no confusion” if Netflix had done “its homework.”
“Because of the lack of due diligence,” she said, “Mr Hazlewood has a constant fear regarding the impact the film will have on his personal relationships, his employment and his reputation in general.”
It was unclear why Hazlewood, who lives in Kentucky, had filed a lawsuit in Texas against Netflix, which is based in California. Netflix declined to comment.
The Netflix documentary, which premiered in January, traces the story of Caleb Lawrence McGillvary. In February 2013, McGillvary was hitchhiking in Fresno, California, when a man who had picked him up struck a utility worker with his car. The driver then attacked a bystander who was trying to intervene. That’s when McGillvary took a hatchet from his bag and repeatedly hit the driver with it.
An interview with a local television station briefly turned McGillvary, who identified himself only as Kai, into an internet and late night talk show hero: “Kai the Hatchet Wielding Hitchhiker.”
McGillvary in the television news interview that briefly made him famous. Photo / Netflix
Three months later, McGillvary was arrested and charged with killing a man in the man’s home near Elizabeth, New Jersey. McGillvary, who testified that he acted in self-defence after an attempted sexual assault, was convicted in 2019 and sentenced to 57 years in prison.
The Netflix documentary shows side-by-side images of Hazlewood and McGillvary, with a voice-over that says “stone-cold killer” and the text of a tweet that says, “You can never trust anyone.”
According to the lawsuit, Hazlewood first received word about the use of the image in the film from a friend who texted him a few days after it premiered. And then another friend texted. Then another.
“Have you seen this? They put your picture up with a murderer lol” one friend wrote. “I’m shocked they didn’t ask for a release. Prayers that your employer is okay with it.”
One friend wrote that she was watching “this murder documentary and they start flashing a bunch of peoples pictures and I said that is Hazlewood.”
“Did they steal your photo?” she wrote. “How did you get on there?”
Another friend’s mother said she asked if Hazlewood and McGillvary were connected.
The lawsuit accuses Netflix of causing Hazlewood “reputational harm, stress, anxiety, and anguish,” and putting him in “constant fear of losing future employment or relationships because of people believing he is dangerous or untrustworthy.”
The use of Hazlewood’s photo is the latest example of a true-crime show cutting corners, said Bobbi Miller, who hosts a pop culture podcast called The Afternoon Special.
“This is a song and dance we’ve heard before,” she said. “There have been so many instances where I think for the thrill of being first and the thrill of having the most engaging story you end up not doing the journalistic due diligence of fact-checking and triangulation.”
Nathaniel Brennan, an adjunct professor of cinema studies at New York University, who teaches a class on true crime, said he was surprised that “Netflix would blunder like that” given “how much money they have invested” in true-crime series. But the rate of production may have diluted the final product, he said.
“I don’t know if Netflix would consider themselves journalists,” he said. “I don’t know if they hold themselves to a different standard.”
