Moments into our interview, Neko Case is talking about the end of time. "I think it's actually hopeful," she says, "knowing that we're not the disgusting ending to everything. The world will go on without us, and it will be glorious.
"I don't have a lot of nice things to say about humanity today," she says.
It's a fitting introduction to an artist whose latest album cover has her clad in a helmet of cigarettes while a supervolcano erupts out of her shoulder. Case's seventh record, Hell-On, is gothic, mythological and mysterious; its eleven tracks take on complex themes such as history and misogyny, as well as the search for camaraderie in the face of calamity.
During the making of Hell-On, Case faced her own personal calamity, losing her Vermont home to a devastating fire while she was recording in Sweden - an event she's still dealing with over a year later. "It's not rebuilt, it's just kind of in a state of, 'can it be rebuilt?'" she says. "I haven't even been home enough to really go through the stuff that was taken out of the building that was left, to see if it's any good. It's still kind of just a big amoeba that I live in."
The fire had a strong influence on the record – a sense of impending doom lingers throughout, but there's also a sense of hope; an acknowledgement of the power of rebuilding new worlds. Case says she has a natural tendency towards escapism in her songwriting – finding "new places to inhabit".