Throat-cutting sadism, limb-breaking brutality and some very inventive uses for a hammer on a train. If you saw 2011's cult hit The Raid, you know what you're in for with the sequel: bloodthirsty violence delivered in jaw-dropping, eye-popping set pieces.
Yes, The Raid 2: Berandal (that's "thug" in Indonesian) packs an almighty martial arts punch, delivering wave after wave of gruesomely violent yet stunningly inventive moments that will leave you wondering exactly how director Gareth Evans managed to pull them off.
One early scene involving a prison inmate riot in a rain-drenched yard is so exquisitely shot it could be a work of art - an extremely bloody and muddy canvas which has a body count that might rival the first film on its own.
It's a sign that Evans is trying to broaden The Raid's horizons - an ambition that he doesn't always manage to pull off.
Set two hours after the end of The Raid's insular tower massacre, the sequel follows Iko Uwais' character Rama as he goes undercover to track down corrupt politicians and police involved in Jakarta's criminal underworld.