Buried in the middle of the brilliantly repulsive first Sin City film is a scene that will be seared into the memory banks of anyone who saw it.
Overseen by Quentin Tarantino, it involved Clive Owen's character having a conversation with Benicio Del Toro, a corpse propped up in the front seat of a car with a gun barrel jutting out of his forehead. Halfway through their chat the police pulled them over.
There's nothing as memorably gripping in Sin City 2. In fact, the much-delayed sequel - once again co-directed by Robert Rodriguez and Sin City's creator Frank Miller - feels like a flatter follow-up to the much-loved original.
That 2005 shocker broke stylistic boundaries with its bleak storytelling, black-and-white colour schemes and use of ultraviolence that splashed reds and oozed yellows across the screen.
But A Dame to Kill For doesn't have the same impact, perhaps because the first film used Miller's best material.