The 12th and latest film to be based on a novel by the austere doyen of espionage fiction, John le Carre, may be the least satisfying ever.
It certainly suffers by comparison with the previous three - The Constant Gardener, Tinker Tailor Soldier Spy and A Most Wanted Man, all of which, perhaps not incidentally, had non-English directors.
White, who directs here, from a banal script by Hossein Amini, has only one feature, a Nanny McPhee sequel, to her credit and her touch is far from assured, though it bears saying that the 2010 source novel is one of the author's less consequential.
Undaunted by the end of the Cold War, le Carre has found rich material in such diverse places as corporate skulduggery in Africa and the Bush-era practice of rendition. But his villains here are the gangster capitalists of post-Soviet Russia.