First there was Valentine's Day, then New Year's Eve, and now, in the third and hopefully final edition, veteran director Garry Marshall presents another star-studded ensemble comedy, Mother's Day.
Fans of this comedy sub-genre will know what to expect; a formulaic series of interlinking stories led by a formidable cast of affable A-listers and recognisable extras, presumably drawn to the project by its director rather than script.
There are falling-outs, reconciliations and more happy endings than a fairy tale could muster, all wrapped up in a neat bow before the credits roll.
To enable the introduction of characters and storylines as efficiently as possible, little time is allotted to delivering character depth or motherhood insights.