No brokers scream into phones in the Wall Street thriller Margin Call. It's a film that is eerily, dreadfully hushed and it's visually quiet, too, making menacing use of shadows.
This is the quiet you get in a horror movie just before the monster bursts through the wall - but the true terror lies in the realisation that it's been in the room the whole time.
The film's inspiration is plainly the collapse of investment bank Lehman Brothers on September 15, 2008. (Its fictionalised equivalent is never named but the surname of CEO John Tuld (Irons) rhymes with that of the one-time head of Lehman, Richard Fuld, who made half a billion in salary and bonuses in the five years before the firm went down).
Unlike Charles Ferguson's brilliantly incendiary 2010 documentary Inside Job, Margin Call seeks neither to anatomise the collapse that sparked the 2008 global financial meltdown, nor to sheet home the blame for what happened.
Rather writer-director Chandor, a commercials veteran and feature debutant whose father spent his life working for brokerage firm Merrill Lynch, plays the story as Greek tragedy seasoned through the hypernaturalism of a David Mamet chamber piece.